Rice Yudina

Siena is a luxurious type. A modern contrasted sans serif. Over 25 years in the making, FS Siena is tailor made for high-end brands. Sumptuous, elegant and eclectic, a nonconformist typeface with classical roots. It’s been a long time coming, but with its heady mix of elegance and quirky charm, FS Siena is worth the wait.

FS Benjamin is the London typeface.

Big Ben is the nickname for the Great Bell of the clock at the north end of the Palace of Westminster in London. The origin of the bell’s nickname is open to question; it may be named after Sir Benjamin Hall, who oversaw its installation, or boxing heavyweight champion Benjamin Caunt.

FS Sophie is a seductive type.

A stylish shapely face with a spirited character combining beauty, elegance and modernity. Conceived with curvy lines and angled edges for offbeat advertising and publishing.

FS Hackney is an assertive typeface. Square curves and a linear down-to-earth nature create a soft and gentle sans serif typeface. Inspired by the thought “it doesn’t have to be like this” Hackney is meticulously honed to perform in exacting conditions. Refined, assured and very versatile.

FS Silas is an enigmatic typeface.

First impressions are of a functional, multi-purpose typeface with a cool, edgy, angular character. Gaze into its eyes a little longer, though, and you’ll detect a more nuanced, colourful personality, with full, open, satisfyingly squarish forms balancing the abruptness of the sharply-angled terminals and ascenders. Authoritative, official and stern on the outside; amiable and welcoming on the inside.

FS Shepton is a natural typeface.

100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of signs used in a delicatessen or greengrocers. A series of display fonts for packagaing, advertising and point-of-sale.

FS Shepton offers up three alphabets that are similar in character but each with their own texture and style.

FS Dillon is a rational typeface. Its inspiration came from our exploration of the work and philosophy of the Bauhaus movement of the 1920s and 30s, their pursuit of simple, practical forms. To this we’ve added a thoroughly modern flavour, stark yet warm, imbued with the quirky individuality that has become a Fontsmith signature. The letterforms are simple and direct. Compact, with a large x height, they are built for maximum clarity, economy of space, and impact. But that’s not all. The Bauhaus sought beauty through function – we think we’ve achieved that too.